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A white, 8.5-foot-long, do-it-yourself coop waited for them. As did Kluh, their supervisor. Morales and Vetrone, with the help of a third employee, opened the truck and removed a yellow crate. One by one, they laid the chickens onto the truck’s flatbed. They tagged them. Then, holding them down, the workers extended their wings and felt for a vein. The needle went in, and blood came out. Some of the chickens looked mildly annoyed. Others tried to free their wings. A few let out plaintive clucks.

Saint-Saëns’ concerto was appropriately flamboyant: rippling piano motion from Thibaudet, cresting in waves, flowingly sensuous, Shadowed by the orchestra, the pianist was both dancer and gunslinger, though a little loose with the sustain pedal, in the opening Allegro animato, He produced amazing harp-like effects in the Andante, which features a pentatonic song attributed by the composer to boatmen on the ballet art, dancer art, ballerina wall art, kids rooms, childrens wall art, dance art, canvas art, girls rooms, pink girls room, Nile, (Saint-Saëns composed the concerto, nicknamed “Egyptian,” while vacationing in Luxor.)..

The couple founded M.E. Fox & Co. in 1965 and were mainstays on the South Bay business scene until they sold the company’s beer distribution rights in 2015. Their generosity may have extended even farther, though, supporting causes including the Santa Clara Valley Medical Center Foundation, Silicon Valley FACES, Cristo Rey San Jose Jesuit High School, People Acting in Community Together and Santa Clara University’s Board of Regents. Michael Fox Sr. attended both the University of Notre Dame and the Siebel Institute of Technology in Chicago, where he received a postgraduate degree in Brewing Science and Technology. But the honorary degree may be especially sweet for Mary Ellen Fox, who left Barat College of the Sacred Heart in Lake Forest, Ill., in 1959 when she was just a semester away from earning her degree. It was hard to argue with the reason: Love.

Do recommend it to her, but choose a moment with some ballet art, dancer art, ballerina wall art, kids rooms, childrens wall art, dance art, canvas art, girls rooms, pink girls room, pleasant distance from your last, “Why are you mad?”/”I’m not mad” dance, Then say you feel bad that she has these reflexive doubts and encourage her to dismantle them, In the meantime, or if she refuses, upgrade your communication, Instead of, “I’m not mad” — which verges on gaslighting if she’s right that you’re out of sorts, and only wrong about the reason — give her validation and an explanation, First, generally: “It’s not you.” And then, specifics: “I am quiet because/thinking about/distracted by/frustrated over [true reason here].”..

Do we need four acts, three hours, and big numbers on an angled lake at times worthy of a Busby Berkeley production? Not really, although it is fun to see why Murphy insists on repeating the limpid score, here cut and recombined and played by the Berkeley Symphony under the baton of Nicolette Fraillon, music director of the Australian Ballet. It’s also interesting to note how Murphy contrives to set the world of the psyche against the social-political game. Murphy takes the swan motifs and peppers them throughout the ballet in fractured echoes of Odette and her cygnets. In Act I, Charles uses his raised, crooked leg in attitude to ambivalently embrace and capture Diana. He and Camilla brush their arms across their faces and drape them across the head as Odette does in the original. Then, in Act II, a quartet of dancers knock out the cygnet dance with clockwork precision, in case we doubted their credentials.