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The aftershock was reported at 3:56 a.m. and had a depth of 6.8 miles, according to USGS. The aftershock follows a 6.0-magnitude quake that struck Napa on Aug. 24. They will learn how to use graphic and Web technologies, as well as social media and graphic design tools in Ready, Set, Connect. Mentors from local technology companies will help them in résumé creation, job search skills and interviewing. As a way to bridge the technology gap, students from bilingual families are encouraged to participate.

In a letter obtained by Variety late last week, the producer’s family said “he could not go on any longer” and that “he wanted to find peace.”, Avicii’s family ballet shoes embroidery applique design, ballerina, dancing machine embroidery file instant download, sh-003 also called him “a seeker,” a “fragile artistic soul searching for answers to existential questions” and “an over-achieving perfectionist who travelled and worked hard at a pace that led to extreme stress.”, The movement to repeal California’s new gas tax, a quilting show reviving an activist tradition, and fallout from the White House Correspondents Dinner are the stories in today’s Current..

Details: Oct. 28-Nov. 20; Pear Theatre, Mountain View; $10-$35; 650-254-1148; thepear.org. 6 “Summer in Sanctuary”: Poet, playwright and monologist Al Letson, perhaps best known for hosting the NPR show “State of the Re:Union,” tackles race, privilege and America’s shocking school dropout rate in this solo show based on his experiences teaching a summer creative class to disadvantaged kids in Florida. Details: 8 p.m. Fridays, 8:30 p.m. Saturdays through Nov. 26; The Marsh, San Francisco; $20-$100; themarsh.org.

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As she accepted it, to a long ovation, she declared, “I call upon you to draw from the depths of your being — to prove that we are a human race, to prove that our love outweighs our need to hate, that our compassion is more compelling than our need to blame.”. The dark-haired Taylor made an unforgettable impression in Hollywood with “National Velvet,” the 1945 film in which the 12-year-old belle rode a steeplechase horse to victory in the Grand National. Critic James Agee wrote of her: “Ever since I first saw the child … I have been choked with the peculiar sort of adoration I might have felt if we were in the same grade of primary school.”.